Single tonguing: The ultimate A-Z guide (2022)

One of the major things that is a real sticking point with trumpetstudents is articulation. This guide takes you through everything youneed to know about single tonguing on the trumpet.

A common misconception that I hear often, particularly with youngerplayers, is that we articulate the note by hitting the aperture with thetip of our tongue.

That's completely the opposite.

Brass articulation is done by retracting the tongue at the start ofthe note, rather than extending it.

Something that we haven't talked too much about is tonguing andarticulation. Let's start fixing that.

What is trumpet articulation?

The basic definition of the word articulate is to make clear distinctand precise. So on the trumpet, we have two different ways that we canplay notes — we can either slur them, or we can articulate them.

When we articulate notes on the trumpet, we use tonguing to make eachnote a little bit more clear, more distinct from preceeding andsucceeding notes.

Well, how do we articulate?

We use tonguing to articulate notes, the rest of this guide explain justthat by diving in-depth into single articulation.

How to single tongue the trumpet with speed and clarity

There are two different ways to use our tongue to articulate on thetrumpet. The first is by using the syllables "ta" or "da", and thesecond is by using the syllables "ka" or "ga".

Of all these, the most natural way to think of single tonguing andproduce that articulation effect on the trumpet is to voice the letter"t" or "ta". You can also say "to" or "ti".

"T" or "ta" tonguing

Notice where your tongue strikes every time you voice the syllable "ta".

The tip of your tongue is striking the roof of your mouth just behindthe front upper teeth.

It is not coming between the teeth—between your lips to close theaperture of your embouchure, it is striking behind the teeth.

Instead of saying "tha" so that your tongue closes your aperture, youare saying "ta" or a "t" consonant.

The next thing you need to do is practice that syllable with air. Thatwould sound "ttttt... tttttt...". You try.

Now the exact placement of your tongue differs a little for everybodybut it needs to be just behind the teeth, typically where the gum androof of your mouth meet.

It is very important that your tongue does not come through the teethbecause if it does, it's going to touch the lips and sploit yourembouchure. It will stop the vibration.

You can usually hear this in beginners.

In single tonguing there is no point where the tongue comes through thelips and stops vibration, even in between notes.

If that happens you'll get a very crass, harsh sound. And it also getsvery difficult to tongue fast. Move that tongue back and strike the roofof the mouth instead.

This way, we can move the tongue much faster and much smoother andit sound nice and rounded with a good sound.

Another way you can tell if a trumpeter is tonguing between their teethis if the notes are fuzzing out a lot when they play, or if they areplaying a lot of wrong notes.

If they are aiming for a G and then they hit a C or something else, forinstance, a lot of time it's because the tongue is exploding the airthrough the lips and they can't control that aperture of theembouchure.

Keeping the tongue behind the teeth will easily fix that.

Another way you can tell incorrect single tonguing, even with yourself,is to use a mouthpiece visualizer like we did in how to form a trumpetembouchure in 4 steps. Have a look at it if youhaven't already and you want to learn the exact 4-step method used byworld renowned trumpeters to form a consistently reliable trumpetembouchure every single time.

If you've gone through that guide, holding a visualizer up to your lipsand doing a basic articulation will point you to that problem, so youcan remedy it as explained above.

You'll see if the tongue is coming between the teeth and touching thelips.

So "ta" single tonguing technique is the best and easiest way to improveand maintain a good articulation through all of your playing.

Breath attack vs. single tonguing

One of the things I'm asked about a lot is how to get a cleanarticulation consistently at the beginning of a note or phrase.

This is something that tends to hold a lot of us up because we get alittle confused about how tonguing actually works at the start of anote.

What we are doing with a single tonguing is blocking and then releasingthe air. It's that release of the airstream that makes the sound start.

The important thing about getting a nice clean articulation at thebeginnning of a phrase or note is to make sure that we start the airwith the tongue in place already blocking the airstream. It's thatrelease that makes it clean and articulate.

When learning tonguing, we tend to get a bit unco-ordinated with that,which makes it harder than it needs to be.

If you start a note just with the airstream, on the other hand,without any blocking or tonguing, it will sound airy. This is a breathattack.

The articulation for a breath attack will not be as nice and clean asfor the single tonguing attack.

Top 4 essential tips for single tongue articulation on the trumpet

Tip #1 — Know the pitch beforehand when start a note with single tonguing

When starting a note, you don't necessarily want a breath attack of thenote first and then block it after the breath attack.

You have to know how the air goes for a particular pitch, and placethat air in place with the tongue in place—already blocking the airstream—to get a proper single tongue attack, as it were.

Tip #2 — Keep the air moving to single tongue faster

The thing that tends to hold us up and make up go slow when we aretonguing a sequence of notes, is that we get into the habit of doingwhat we've just done and start the air along with the tongue.

Instead, for a sequence of repeated notes, whether it's the same noteor a musical phrase, what we need to do is just keep the air moving atall times and block it with the tongue.

You don't need to stop the airflow in between notes and you don't needto blow any extra air.

It is getting that continous air flow that allows us to get the tonguingnice and clean on a sequence of repeated notes.

Because we are not starting and stopping the airflow every time, itmeans that there is less motion in the embouchure restraining theair as it starts and that means we can get our tonguing to go muchfaster.

This is still single tonguing.

That takes some moving parts out and let's our tongue move much quicker.

Tip #3 — Both "ta" and "da" can be used for single tonguing

The same concept applies of single tonguing whether you are using a"t" ot "ta" tonguing or a "D" or "da" tonguing. The only difference thechange of syllable makes is ow cleanly it allows the tongue to releasethe air.

This basically translates to how much meat of the tongue you've in theway of the airstream.

Tip #4 — Start slowly to develop co-ordination

Of course when you're developing that co-ordination to begin with, it isimportant to go slowly, particularly if you're playing things thataren't on the same tone, so you can get it nicely, cleanly, andconsistently.

For instance, if you are playing a simple scale pattern uo an down,start playing that slowly with the regular single tongue before movingto double tonguing.

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